With the help of César Cotta and Joshua Hearn, and based on a design by Glen Cummings, we installed a massive, reflective vinyl wall graphic last night at 2am outside Storefront for Art and Architecture—and it looks amazing. Flash photographs make the city disappear and giant vinyl letters float in space. 
Ready or not, then, and half-covered in paint, our jeans ruined, in need of new shoes, dehydrated, our exhibition participants recently returned from Uganda and the eastern Congo with photographs and a film, mounting illuminated comic book manuscripts on the wall, exploring nuclear-waste repositories as symbolic geological centers of a future world, diagramming parallel split cities with quarantine spaces merely an arm's length away, and opening the facade panels of the gallery to allow bubbles and bulges and Tyvek screens to confuse the outside line with the street, and more, we will be there tonight, unloading dozens of cases of beer donated by Brooklyn Brewery, to celebrate this long project coming together at last in an exhibition space for everyone to see.
Stop by at 7pm tonight, March 9, if you're around and say hello—or drop in on Storefront for Art and Architecture during its regular opening hours any time before April 17. Orange will after-image through your brain for days to come...
