Pruned posted an image the other day by artist Nicolas Moulin (more of whose work can be seen over at Vulgare). Looking into Moulin's work further, however, I came across another series he produced a little more than a decade ago called Vider Paris. Here, we see Paris transformed into an abandoned maze of lifeless streets. Every building is sealed shut behind a seamless, Berlin Wall-like concrete monolith. 
Vider Paris "is a series of computer-altered images of the streets of Paris," we read in a PDF portfolio of Moulin's work. "All traces of life are removed from the images: vegetal, urban furnishings, pedestrians, cars, etc." Further, "all the buildings are sealed with sheets of concrete up to the second floor."
The effect is oddly exhilarating; whether because these images have the appearance of being stills pulled from a much longer video, or simply because of their haunting, Ballardian overtones, Moulin's vision of an empty Paris seems tailor-made for Hollywood art directors or even for someone sketching out ideas at Thunder Game Works.
A dream of apocalypse, twelve centuries from now, when you wander into the concretized canyons of a Paris with almost no signs of life, its skies grey, the barest trace of weeds growing up through cracks in rain-filled gutters. There are sounds of distant animals rustling, the city's rhomboid geometries now animated by unpredictable acoustic effects. You see smoke somewhere, but it could be miles away. Looking for clean water, and a place to sleep before the sun goes down, you walk onward into the city core.
(This is now the second post I've written from an airplane... flying somewhere over SW Nebraska).
