[Image: Watership Down by Maier Yagod and Jon Reed at the Cleveland Public Library].

In a project for the Cleveland Public Library, designed by Toronto-based architects Maier Yagod and Jon Reed, "domestic fragments" have been embedded in the pavement, forming a surreal new kind of public bench:

Watership Down creates a scenario where five houses are frozen for a moment in a process of complete submersion into the ground of the Eastman Garden. Placed throughout the Garden, the gables of these houses project out of the earth at various angles. These create focal points of interest within the garden and become follies to climb, sit and rest upon.

Taken too far in one direction, of course, this idea could very easily become a kind of postmodern joke—architectural theme-props for a children's playground—but the installation manages to avoid explicit dramaturgy, its fragments more like Gordon Matta-Clark's Building Cuts emerging from the surface of the city.

[Image: Watership Down by Maier Yagod and Jon Reed at the Cleveland Public Library].

A fever of roofs pushing up from below, breaching ground level with the archaeological buoyancy of lost ships.

[Image: Watership Down by Maier Yagod and Jon Reed at the Cleveland Public Library].

While the deliberate use of simulated building fragments can run the risk, mentioned earlier, of simply repeating the PoMo theatrics of things like "upside-down buildings," the evocation of underground architecture, like tombs, scratching through the earth, buried by an orderly landslide of the urban fabric around them, is an interesting direction to take.